“I could have easily made an entire album instead of just a single with this library. “There was an entire week lost just combing through all these sounds,” Kaskade said. To be able to plunder them was a real sort of privilege.” “The sounds in themselves, they were quite mythological. “All the creature noises to the droids, the sound of the engines, light sabers, every sound you can imagine, it’s very iconic sound design,” said Bonobo’s Simon Green, who contributed the track “Ghomrassen” and reveled in just having access to the archive. Star Wars was massive and it touched everything that we did.” “There were constants in the world: The sky was blue and grass was green and you were going to dress up as a character from Star Wars every single Halloween. “My interest in Star Wars as a kid just seemed like a given,” says producer Kaskade. How True Is 'Respect'? Fact-Checking the Aretha Franklin Biopic RS Recommends: 5 Devices You Need to Set Up Your Smart Home Even Rubin himself got in on the fun, both remixing a song by Abrams and Miranda while doing his own Aughts-EDM-goes-Eighties-Hi-NRG with the over-the-top “NR-G7.” And while they weren’t given access to Williams’ score, they were allowed to freely tinker with the legendary Star Wars foley library.
#Star wars lightsaber sound effect making of free
Abrams himself, Rubin gave these artists free reign.
Boasting an all-star roster including Flying Lotus, Kaskade, Rustie, Röyksopp, Bonobo and even Hamilton‘s Lin-Manuel Miranda in collaboration with J.J. It’s these telltale sounds that power Star Wars Headspace, the dance compilation executive-produced by Rick Rubin and Kevin Kusatsu that surveys the wide galaxy of modern electronic music producers at their most playful, futuristic and nerdy. Burtt’s work - spanning from 1977’s A New Hope on through 2015’s multi-billion dollar smash The Force Awakens - is as instantly recognizable as the “Star Wars Theme”: the live wire hum and crackle of light sabers, the foreboding exhales of Darth Vader, the boisterous din of the Mos Eisley Cantina, the emotive growl of Chewbacca, the chirrups of droids like R2D2 and BB-8. The sound design crafted by Ben Burtt and his team for the Star Wars saga is just as iconic and evocative as John Williams’ soaring fanfare.
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